Take A Pick Tuesday: Witch Hunter Robin
There’s a sort of fog like atmosphere that comes to mind
with this show, it doesn’t seem to be driven by any other force except its own
pace and style of storytelling. How perfect that the series is an occult
detective series at heart. Many fans of many generation will find the name to
be familiar and that isn’t too surprising, it’s considered a classic in it’ own
right and was to me at least a part of a sort of anime renaissance, shows that
stormed their way from Japan to exposure from all places across the globe. It was an exciting time and many anime fans
were born at this particular time. Witch
Hunter Robin would be very comfortable with American show counterparts and not
just for the occult theme purposes.
The story follows
Robin Sena who returns to Japan the country of her birth from the Roman
Catholic Church in Italy where she was raised. As a craft user she is sent as a
replacement in this branch of the organization SOLOMON, the STN-J. It’s an
organization that hunts down witches that have gone astray and we’re not
talking all witches, they have a vast database and can cross-check genes and
family in which a person has had their powers passed down. The list is massive
so not every witch is targeted, they seem the same as any other person would. Instead
they hunt down ones that commit crimes.
The interesting
this is though Robin is fifteen years old, she is a craft user and has had
experience in the organization and witch hunting. Despite that many of the early
episodes show the group ignoring her or scolding her at looking, touching
things in the crime scene. Almost always though it’s Robin that makes the
headway in the case and is the deciding factor in solving them, she’s at times acquainted
with the target even before realizing they are the target. Robin is soft spoken
and extremely relaxed seeing, a little on the introverted side but despite her
trench and perhaps to some gothic look is gentler than the rest of the gang
whose comments can rub you the wrong way at times.
One of the first
things Robin finds out though it takes the first episode for any of them to let
her up into the office considering no one realized she was the new person being
sent is that witches aren’t hunted the same way. For the STN in this particular
branch witches are captured alive, at least that’s priority and taken to a
facility they call factory. Of course immediately it raises eyebrows on why the
witches are taken alive and to what purpose. Seems strange to Robin whose craft
allows her to control flames much to the concern of her co-workers.
Her partner is
Amon. The silent angry type that seems to dislike her at first but not truly,
yet despite being her partner it’s a long time before he even takes her out
properly on an assignment. There is also this mistrust felt, perhaps by the
other hunters but more so with the head of the unit who conveys this to Amon,
we’re not sure on why. Some of the vague aspects of the show instead of being
frustrated help set the mood, so once they actually begin to fill in the gaps
such as the consequences of hunting the witches, of who the inquisitors are and
who Robin may be, it only adds a deeper layer to the show. Even so each episode
feels like a case which means you can have someone sit down with you and watch
it yet it has a satisfying underlining story that gives you the pleasure of
watching it from the beginning to the end.
Some interesting aspects that go into Robin’s psyche but
spread out through the complexity of the show is her relationship with Amon, as
said before he hardly takes her out in the beginning but eventually does, not
only that but notices that she needs glasses when using her craft, since it was
fire that was probably a good idea. Still there is this unspoken relationship
between the two, passed by looks and I’d like to even call it trust, where
distrust would seem obvious. Romantic but not in the usual romantic since and
yes she is fifteen years old. Still though it’s hard to have characters close
and separate at the same time and still seem to complement each other. I think
that’s why the opening song “Shell” has such a cool insight into this aspect of
the show.
Another insight
that comes from Robin is the actual history of witchcraft, how though they are
hunted there is this question of why is it still a sin to be a witch even now
in present day. Sure there is a database with all the witches that there are in
the world and they aren’t capturing all of them but what if they aren’t. Why
does it still feel like it’s such a crime to be a witch which goes into the
persecution of people accused of being witches whether real or not throughout
history even beyond Salem witch trials. If anyone has an interest in the actual
persecutions of people accused of witch craft, it’s an interesting history less
throughout our human history and it may make you cringe a bit. Having read
about some of this I couldn’t help but question when it began to finally bubble
to the surface.
It has a way of
linking all the previous witch hunts and some episodes don’t sit right and of
course leaves certain endings bittersweet and some just bitter. It’s well
thought out and helps mentor the maturity that it carries effortlessly and yet
has weight when these things start to come up though at first you only really
get a piece. Now these guys may be witch
hunters but they are definitely not skilled in prevention, there is an episode
where they literally scream for someone not to kill the other, stand there with
guns pointing and watch it happen. Also it seems like Robin and Amon are really
the ones leading this team. Once there is a big shift in the series you think
you figure out what’s happening and yet there’s a twist in that too, the
motives are more ambitious than that. It plays off Witch Hunter Robin’s
subtlety.
There is
endless amounts of thoughts to play with from things that aren’t said, if you
follow close enough, pay attention to gestures, simple things said you can get
something much larger from the show. That might take time to get used to, it
might even be seen as a fault, don’t believe it is, it is the style in which
the show was born to have. Questions
linger in the air and soon their crowded with more or simply the questions
become greater.
Luckily the
answers trickle faster than confusion can set in. Not direct questions of the twist and turns
but more so this feeling that witches being hunted aren’t always threats,
sometimes they are but this feeling that’s obvious that STJ-N do not know the
reasons their after their targets only solidifies
the feeling. It brings to mind why animal protecting organizations have to
protect black cats during Halloween. Superstitions run deep and the fear
associated from them can cause horrible things to happen. In many ways Robin
sees this and then experiences it.
Yet when they
begin to reach this point morally you’ll find yourself saying thank goodness.
If they hunted no questions asked well it wouldn’t be Witch Hunter Robin
truly. The answers begin to flood in and
the broader picture of what’s happening becomes clearer. Though some twists and
secrets are kept close to the chest, very close to the chest, even Robin who
you know very little about begins to unravel secrets of her own. This is where
the mood and pacing of the show shine and show how well they worked with the
story.
It’s almost
essential at this point, the massive change halfway through the series requires
it as well as adding another main character to help probe what we are watching
and the other side of what we wanted answers towards. It becomes clear the secrets kept or a part
of the organizations itself divided between its own agendas and goals, which is
part of what the secrets reveal. Soon we
see it for everything it is and the truth of Robin, the truth of witches and
the truth of people in general is enough to overshadow the warring organization
and finally see where every character stands.
We get a philosophical,
ethical question to the entire premise of the series and only than do you truly
understand what Witch Hunter Robin is about. So where does it leave the
characters of the show, some answers are shown. Others are left a little more ambiguous,
can whatever is left of the organization still hunt witches even after
everything the characters see, I’d like to think things have changed but of
course, it’s up to you to find what you think is the answer by the end of the
series.
This exciting
time for anime was merely a platform for a series that stood on its own and
still does today, a great example to showcase the unique versatile realm of
storytelling that anime holds. A must see show that asks questions without
having to shake them in front of your face, all the while carrying around an
irresistible mood. It’s great to take in daily or as much as you can in a
single sitting. The horror places on the
aspects that are mystery in the series and at least to me is a great heir to a
modern gothic story. Characters that are shadows upon the background world of
theirs that seems perfectly normal only complete the landscape, reaching far
through this fog in order to reach into your after thoughts and the dreams that
will follow.